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The man charged with their murders had been obsessed with the paper since it wrote about his harassment of a high school classmate—part of its routine coverage of local legal proceedings. To put the damn paper out, staffers set up laptops in the bed of a pickup in a parking garage across the street. In columns for the Washington Post, he criticized Crown Prince Mohammed bin Salman’s quest for total power and suppression of free speech. 2, Khashoggi was murdered by agents of the kingdom inside its Istanbul consulate, while his fiancée waited for him outside. They’re the only ones who are going to cover your local elections and tell you exactly what’s going on.”This passing of valued information is a wholesome essential of self-government.

Khashoggi was a leading journalist in Saudi Arabia for decades before fleeing to the U. When the next edition arrived—on schedule—the opinion page was blank but for the names of the dead. We can’t reason together if we don’t know what we’re talking about. It mostly still is, in places like Annapolis, where the Capital Gazette operates.

Worldwide, a record number of journalists—262 in total—were imprisoned in 2017, according to the Committee to Protect Journalists, which expects the total to be high again this year.

This ought to be a time when democracy leaps forward, an informed citizenry being essential to self-government. Three decades after the Cold War defeat of a blunt and crude autocracy, a more clever brand takes nourishment from the murk that surrounds us. The modern despot, finding that more difficult, foments mistrust of credible fact, thrives on the confusion loosed by social media and fashions the illusion of legitimacy from supplicants.

Modern misinformation, says David Patrikarakos, author of the book , titled after the original maximum length of a Twitter post, “does not function like traditional propaganda. It tries to sow as much confusion and as much misinformation as possible, so that when people see the truth, they find it harder to recognize.”The story of this assault on truth is, somewhat paradoxically, one of the hardest to tell. (Pat) Furgurson III; Katherine Fominykh; Jeffrey Bill; Joshua Mc Kerrow; Anthony Messenger; Christine H.

“We all learned in our schools that journalists shouldn’t be the story ourselves, but this is, again, not our choice,” says Can Dündar, who, after being charged with revealing state secrets and nearly assassinated as a newspaper editor in Turkey, fled to Germany, where he set up a news site. Gorham; Andrea Chamblee, widow of John Mc Namara; Rachael Pacella; Selene San Felice; Danielle Ohl; Paul Gillespie; Rick Hutzell; Erin Hardy; Janel Cooley. news media is so much a part of public life that, like air, it’s almost impossible to make it out.

His death laid bare the true nature of a smiling prince, the utter absence of morality in the Saudi-U. alliance and—in the cascade of news feeds and alerts, posts and shares and links—the centrality of the question Khashoggi was killed over: Whom do you trust to tell the story? “Must we choose,” he asked in the Washington in May, “between movie theaters and our rights as citizens to speak out, whether in support of or critical of our government’s actions?

But the crime would not have remained atop the world news for two months if not for the epic themes that Khashoggi himself was ever alert to, and spent his life placing before the public. He put it in the field reporting he had done since youth, in the newspaper editorship he was forced out of and in the columns he wrote from lonely exile.“This is the world of the strong leaders who hate the free press and truth.”That world is led, in some ways, by a U. President whose embrace of despots and attacks on the press has set a troubling tone. The question no longer seems strange, for the same reason a close look at where we get our news no longer sounds like civics-class homework. But it has been made conspicuous—by the attacks and routine falsehoods of the President, by social-media behemoths that distribute news but do not produce it and by the emerging reality of what’s at stake.



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